Solea represents Jonathan Fournel for general management.
A bristling technique matching fire with exquisite balance; an almost orchestral palette of tonal colours; and a brittle clarity to his playing that shone bright light on his music’s inner detail. Most of all, though, he really had something to say. »
A bristling technique matching fire with exquisite balance; an almost orchestral palette of tonal colours; and a brittle clarity to his playing that shone bright light on his music’s inner detail. Most of all, though, he really had something to say. »
Jonathan Fournel was revealed with brilliance to the top international scene in the spring 2021 as he won the much-coveted International Queen Elisabeth competition Grand Prix-Queen Mathilde Prize at 27. In addition, Jonathan won the Musiq3 Audience prize and the Canvas-Klara prize. «A natural, musical and poetic playing in Mozart’s 18th concerto performed with majestic purity and lyricism as well as Brahms’ Variations and Fugue on a theme by Haendel led with intensity and an unquestionable sense of story-telling. » Marie-Aude Roux writes in Le Monde. A few years earlier, Jonathan had won First Prizes at the Scottish International Piano Competition in Glasgow and the International Viotti competition in Vercelli, both at the age of 20.
What strikes most in Fournel’s playing besides his stunning technique and extraordinary spectrum of colours is this balanced mix of exquisite refinement and wild instinct, his natural lyricism and the bright clarity of his interpretations shining light on details with a very mature understanding of the work.
He is the guest of such venues and festivals as the Concertgebouw Amsterdam, Gewandhaus Leipzig, Konzerthaus Vienna, Kioi Hall Tokyo, Elbphilharmonie Hamburg, Hannover’s Funkhaus, Rheingau Musik Festival, Verbier Festival, Sommets Musicaux de Gstaad, Klavier Festival Ruhr, Philharmonie de Paris, Théâtre des Champs-Elysées, Radio France Auditorium, La Roque d’Anthéron Festival, Luxembourg Philharmonie, Piano aux Jacobins Festival, the Royal Glasgow Concert Hall, Bozar Brussels, Flagey, de Bijloke Gent, Louisiana Museum in Denmark, Kumho Art Hall Seoul, Tongyeong Concert Hall, Sala Saõ Paulo, Warsaw Philhamoniec Hall, Edinburgh’s Usher Hall, Sala Verdi Milan Paris’ Louis Vuitton Foundation.
Jonathan is playing under the baton of conductors such as Stéphane Denève, Jonathon Heyward, Thomas Dausgaard, Peter Oundjian, Lio Kuokman, Howard Griffiths, Alexandre Bloch, Gabor Kali, Daniel Raiskin, Hugh Wolff, Fan Tao, Pascal Rophé, Eivind Gullberg Jensen, with such orchestras as the NHK Symphony Orchestra, Orchestre Philharmonique du Luxembourg, Brussels Philharmonic, European Union Youth Orchestra, Deutsche Radio Philharmonie, NordWest Deutsche Philharmonie, Orchestre de Chambre de Paris, Royal Scottish National Orchestra, NOSPR Katowice, Slovak Philharmonic, Macao Orchestra, Orchestre National d’Ile de France, Orchestre National de Bordeaux, Orchestre National de Lille, Orchestre National de Montpellier, the Croatian Radio and Television Orchestra.