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Solea Management represents Seong-Jin Cho worldwide.

Biography

With an overwhelming talent and innate musicality, Seong-Jin Cho is rapidly embarking on a world-class career and considered one of the most distinctive artists of his generation. His thoughtful and poetic, assertive and tender, virtuosic and colorful playing can combine panache with purity and is driven by an impressive natural sense of balance.

Seong-Jin Cho was brought to the world’s attention in Fall 2015 when he won the coveted Gold Medal at the Chopin International Competition in Warsaw. This same competition launched the careers of world-class artists such as ‎Martha Argerich, ‎Maurizio Pollini, Garrick Ohlsson and ‎Krystian Zimerman. Within one month, a recording of Cho’s live competition highlights was rush-released by Deutsche Grammophon, propelling the pianist to pop-star status in South Korea. The album achieved multi-platinum sales within a week of its release and triggered a sales frenzy at stores across the country. It reached No. 1 in the nation’s pop album chart and has sold well over 150,000 copies to date worldwide.

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With an overwhelming talent and innate musicality, Seong-Jin Cho is rapidly embarking on a world-class career and considered one of the most distinctive artists of his generation. His thoughtful and poetic, assertive and tender, virtuosic and colorful playing can combine panache with purity and is driven by an impressive natural sense of balance.

Seong-Jin Cho was brought to the world’s attention in Fall 2015 when he won the coveted Gold Medal at the Chopin International Competition in Warsaw. This same competition launched the careers of world-class artists such as ‎Martha Argerich, ‎Maurizio Pollini, Garrick Ohlsson and ‎Krystian Zimerman. Within one month, a recording of Cho’s live competition highlights was rush-released by Deutsche Grammophon, propelling the pianist to pop-star status in South Korea. The album achieved multi-platinum sales within a week of its release and triggered a sales frenzy at stores across the country. It reached No. 1 in the nation’s pop album chart and has sold well over 150,000 copies to date worldwide.

In January 2016, following on the success of the debut disc, Seong-Jin signed an exclusive contract with Deutsche Grammophon. The first CD of this collaboration features Chopin’s First Concerto with the London Symphony Orchestra and Gianandrea Noseda and the Four Ballades, released to critical acclaim in November 2016. A solo Debussy album will be released in November 2017.

An active recitalist, he performs in many of the world’s most prestigious concert halls. In 2017, he made debuts at Carnegie Hall’s Keyboard Virtuosos series in a sold-out Stern Auditorium, Amsterdam’s Concertgebouw’s Master Pianists series, Tokyo’s Suntory Hall, Seoul’s new Lotte Hall, Paris’s new Seine Musicale, Edinburgh International Festival, Gstaad Menuhin Festival, KKL Lucerne and St. Petersburg’s Mariinsky Theatre.

He collaborates with conductors at the highest level such as Valery Gergiev, Esa-Pekka Salonen, Gianandrea Noseda, Antonio Pappano, Myung-Whun Chung, Vladimir Ashkenazy, Yuri Temirkanov, Kzysztof Urbanski, Marek Janowski, Vasily Petrenko, Jakub Hrusa, Leonard Slatkin and Mikhail Pletnev. Orchestral appearances include the Royal Concertgebouw Orchestra, Orchestre de Paris, London Symphony Orchestra, Mariinsky Orchestra, Munich Philharmonic Orchestra, Rundfunk-Sinfonieorchester Berlin, Orchestre Philharmonique de Radio France, NHK Symphony Orchestra, Philharmonia Orchestra, Seoul Philharmonic Orchestra, Czech Philharmonic Orchestra, Budapest Festival Orchestra, Danish National Symphony Orchestra and Russian National Orchestra.

Highlights of the 2017/18 and 2018/19 seasons include debuts with the Berliner Philharmoniker and Sir Simon Rattle stepping in for Lang Lang in Berlin and on tour in Germany and Asia, tours with the Orchestra dell’Accademia Nazionale di Santa Cecilia and Antonio Pappano, with the London Symphony Orchestra and Michael Tilson-Thomas, WDR Sinfonieorchester and Marek Janowski, and European Union Youth Orchestra and Gianandrea Noseda, with concerts at the BBC Proms, Berlin Konzerthaus and Amsterdam’s Concertgebouw. He will also play subscription concerts with the London Symphony Orchestra at Barbican Centre and National Symphony Orchestra at the Kennedy Center, both under Gianandrea Noseda’s baton, Detroit Symphony Orchestra with Leonard Slatkin, Philadelphia Orchestra with David Afkham, Orchestra Filarmonica della Scala under Yuri Temirkanov and Myung-Whun Chung, Mariinsky Orchestra with Valery Gergiev, Hessischer Rundfunk Sinfonieorchester with Andrès Orozco-Estrada, NDR Elbphilharmonie Orchester with Krzysztof Urbanski in Hamburg and Finnish Radio Orchestra with Hannu Lintu. He will play recitals in major venues like Frankfurt’s Alte Oper, Munich’s Prinzregententheater, Verbier Festival, Amsterdam’s Concertgebouw, Rheingau Festival, San Francisco’s Herbst Theater, La Roque d’Anthéron Festival, Baden Baden Festspielhaus and Vienna’s Konzerthaus.

Born in 1994 in Seoul, Seong-Jin Cho started learning the piano at 6 and gave his first public recital at age 11. In 2009, he became the youngest-ever winner of Japan’s Hamamatsu International Piano Competition. In 2011, he won Third prize at the Tchaikovsky Competition in Moscow at the age of 17. In 2012, he moved to Paris to study with Michel Béroff at the Paris Conservatoire and he graduated in 2015. He is now based in Berlin.

 

« Cho has an enviable ability to make every note sound distinct and clear, shaping and balancing each phrase perfectly…he superbly demonstrated his understanding of Chopin’s stated intent:“calm and melancholy, giving the impression of a thousand happy memories. It’s a kind of moonlight reverie on a beautiful spring evening.” Bachtrack, November 2015

 

« There are already moments in Cho’s performances that have a sense of something really special. In this recital, the first of them came at the end of the F minor Fantasy, when the music seemed to be suspended in mid-air on agossamer thread of sound; the Four Mazurkas, Op 33 too seemed to inhabit aworld that Cho had imagined just for them. » The Guardian, March 2016

 

 

« Everything is poetic, introspective, graceful » The Financial Times, November 2015

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