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Solea Management represents Beatrice Rana worldwide.

“Beatrice possesses an old soul that belies her twenty years, and more than a touch of genius” January 2014

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Biography

“Beatrice possesses an old soul that belies her twenty years, and more than a touch of genius” Gramophone, January 2014

 

Twenty-five year-old Beatrice Rana has shaken the international classical music world already and aroused admiration and interest from concert presenters, conductors, critics and audiences in many countries.

The year 2017 will remain as a milestone in her career with the release of Bach’s Goldberg Variations on Warner classics, The recording was praised by reviewers worldwide and was crowned by two major awards: “Young Artist of the Year” Gramophone Classical Music Award and “Discovery of the year” Edison award. In June 2018, she was elected Female Artist of the Year at the Classic BRIT Awards at Royal Albert Hall.

Beatrice performs at the world’s most esteemed concert halls and festivals including Vienna’s Konzerthaus and Musikverein, Berlin Philharmonie, Amsterdam’ Concertgebouw’s main hall, New York’s Lincoln Center and Carnegie Hall, Zurich’s Tonhalle, London’s Wigmore Hall, Royal Albert Hall and Royal Festival Hall, Paris’s Théâtre des Champs-Elysées, Lucerne’s KKL, Cologne Philharmonie, Munich’s Philharmonie, Prinzregententheater and Herkulessaal, Frankfurt’s Alte Oper, Milan’s Società dei Concerti, Ferrara Musica, Verbier Festival, Klavier Festival Ruhr, Lugano’s LAC, La Roque d’Anthéron Festival, Montpellier Radio-France Festival,  Rencontres Musicales d’Evian, Bucharest Enescu Festival, Mostly Mozart Festival at Lincoln Center, San Francisco Performances, Los Angeles’ Walt Disney Hall and Hollywood Bowl, Washington D.C.’s Kennedy Center.

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“Beatrice possesses an old soul that belies her twenty years, and more than a touch of genius” Gramophone, January 2014

 

Twenty-five year-old Beatrice Rana has shaken the international classical music world already and aroused admiration and interest from concert presenters, conductors, critics and audiences in many countries.

The year 2017 will remain as a milestone in her career with the release of Bach’s Goldberg Variations on Warner classics, The recording was praised by reviewers worldwide and was crowned by two major awards: “Young Artist of the Year” Gramophone Classical Music Award and “Discovery of the year” Edison award. In June 2018, she was elected Female Artist of the Year at the Classic BRIT Awards at Royal Albert Hall.

Beatrice performs at the world’s most esteemed concert halls and festivals including Vienna’s Konzerthaus and Musikverein, Berlin Philharmonie, Amsterdam’ Concertgebouw’s main hall, New York’s Lincoln Center and Carnegie Hall, Zurich’s Tonhalle, London’s Wigmore Hall, Royal Albert Hall and Royal Festival Hall, Paris’s Théâtre des Champs-Elysées, Lucerne’s KKL, Cologne Philharmonie, Munich’s Philharmonie, Prinzregententheater and Herkulessaal, Frankfurt’s Alte Oper, Milan’s Società dei Concerti, Ferrara Musica, Verbier Festival, Klavier Festival Ruhr, Lugano’s LAC, La Roque d’Anthéron Festival, Montpellier Radio-France Festival,  Rencontres Musicales d’Evian, Bucharest Enescu Festival, Mostly Mozart Festival at Lincoln Center, San Francisco Performances, Los Angeles’ Walt Disney Hall and Hollywood Bowl, Washington D.C.’s Kennedy Center.

 

She collaborates with conductors such as Riccardo Chailly, Antonio Pappano, Yannick Nézet-Séguin, Fabio Luisi, Yuri Temirkanov, Gianandrea Noseda, Emmanuel Krivine, Jun Märkl, Trevor Pinnock, James Gaffigan, Mirga Grazinyte-Tyla, Fabien Gabel, Lahav Shani, Andrés Orozco-Estrada, Susanna Mälkki, Leonard Slatkin and Zubin Mehta.  Orchestral appearances include the London Philharmonic Orchestra, City of Birmingham Symphony Orchestra, BBC Symphony Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, Detroit Symphony Orchestra, NHK Symphony, Dallas Symphony Orchestra, Seoul Philharmonic, Orchestre National de France, Tonkünstler Orchester, Lucerne Symphony Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestra Sinfonica della RAI, Filarmonica della Scala, Helsinki Philharmonic, St Petersburg Philharmonic.

 

During the 2018/19 and 2019/20 seasons, Beatrice will debut with the Royal Concertgebouw Orchestra, Chicago Symphony Orchestra, San Francisco Symphony Orchestra, Orchestre de Paris, Melbourne Symphony, Bayerische Rundfunk Sinfonieorchester, Hessischer Rundfunk Sinfonieorchester, Pittsburgh Symphony Orchestra, Vienna Symphony Orchestra, Orquesta Nacional de España, Royal Liverpool Philharmonic, Danish National Symphony Orchestra, Royal Stockholm Philharmonic Orchestra and will return to the Philadelphia Orchestra with Yannick Nézet-Seguin at Philadelphia’s Kimmel Center and New York’s Carnegie Hall, the Tonkünstler Orchester with Yutaka Sado at the Musikverein, the Detroit Symphony Orchestra with Kent Nagano, will tour with the London Philharmonic Orchestra and Vladiir Jurowsky and will start a residency at the Zurich Opera with Fabio Luisi and the Philharmonia Zurich for a complete Beethoven concerto cycle. She will also play recitals at Geneva’s Great Performers series at Victoria Hall, Munich’s Prinzregententheater, London’s Queen Elizabeth Hall and Wigmore Hall, Essen Philharmonie, Berlin Philharmonie’s Kammermusiksaal, Lisbon’s Gulbenkian Foundation, Paris’ Théâtre des Champs-Elysées, Madrid’s Scherzo Great Performers series, Gilmore Keyboard festival, and Carnegie Hall.

 

In 2015, Beatrice released her first album as en exclusive Warner Classics artist featuring Prokofiev’s 2nd piano concerto and Tchaikovsky’s first concerto with Antonio Pappano and the Accademia Nazionale Santa Cecilia di Roma. The CD received international acclaim including the prestigious Gramophone’s Editor’s Choice and BBC Music Magazine’s Newcomer of the Year  Award.

During the 2015-2017 period Beatrice was part of the prestigious BBC New Generation Artist Scheme, allowing her to record a lot of repertoire for the BBC and play with all BBC Orchestras. In April 2016, the Borletti-Buitoni Trust awarded her a fellowship.

In June 2013, Beatrice won Silver (2nd Prize) and the Audience Award at the prestigious Van Cliburn competition.She had attracted international attention at 18, winning 1st Prize and all special prizes at the Montreal International competition in 2011.

A recipient of an impressive number of first prizes in national and international piano competitions, such as “Muzio Clementi” Competition, “International Piano Competition of the Republic of San Marino” and “Bang&Olufsen PianoRAMA Competition”. She now studies with Benedetto Lupo in Rome.

Born to a family of musicians in 1993, Beatrice Rana made her debuts as a soloist with orchestra at the age of 9, performing Bach Concerto in F minor. Beatrice began her musical studies at four and achieved her Piano Degree under the guidance of Benedetto Lupo at the Nino Rota Conservatory of Music in Monopoli, where she also studied composition with Marco della Sciucca. She is based in Rome.

 

“There’s something of Martha Argerich about the way she combines chunky articulation and sparkling clarity with whimsical touches.” The Times, January 2016

 

“I can’t think of another recent concerto release that, beginning to end, affords greater pleasure.” Gramophone (Editor’s Choice) December 2015

 

“There has been a lot of star-is-born noise around Beatrice Rana, and it might be justified. Teamed with Antonio Pappano and his Accademia di Santa Cecilia orchestra, she is a compelling storyteller: her playing has all the sustained force and perfectly weighted brilliance you could want, but has a glint in its eye, too .” The Guardian December 2015

 

“She brought unerring grace to Mozart’s seemingly effortless, melodic inspiration and floated Mozartean figurations with lyric ease. In the slow movement [of the Jeunehomme concerto], which reveals depth of feeling through harmonic experimentation, Rana didn’t make the mistake of overdramatizing. And she demonstrated that the impetuous return to high spirits in the last movement really does belong to the young.” Los Angeles Times, December 2014

 

“Beatrice Rana’s execution of Schumann’s hugely ambitious and monstrously difficult [Symphonic Etudes] was simply jaw-dropping. … Ms. Rana gave the audience a fascinating reading that was full of moments exhibiting Schumann’s dual music personas for which roles the performer folded herself into perfectly” Seen and Heard, February 2014

 

“Beatrice Rana is an artist one can now expect great things from” Classica (Paris)  December  2015

 

“Prodigious Italian pianist” Le Figaro July 2015

 

“Beatrice Rana’s playing shows perfect control, clarity of sound and simple lyricism” FonoForum April 2016

 

A round, full-bodied sound despite distinctly unpretentious playing.” Bachtrack, January 2016

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“She brought unerring grace to Mozart’s seemingly effortless, melodic inspiration and floated Mozartean figurations with lyric ease. In the slow movement [of the Jeunehomme concerto], which reveals depth of feeling through harmonic experimentation, Rana didn’t make the mistake of overdramatizing. And she demonstrated that the impetuous return to high spirits in the last movement really does belong to the young.” December 2014

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