Jonathan Fournel

Solea represents Jonathan Fournel for general management.

A bristling technique matching fire with exquisite balance; an almost orchestral palette of tonal colours; and a brittle clarity to his playing that shone bright light on his music’s inner detail. Most of all, though, he really had something to say. »

David Kettle, The Scotsman

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Videos

Chopin Concerto n°2 in F minor

Brussels Philharmonic Orchestra- Stéphane Denève

Mozart Concerto n°19 KV 456

Orchestre Royal de Chambre de Wallonie- Frank Braley

A bristling technique matching fire with exquisite balance; an almost orchestral palette of tonal colours; and a brittle clarity to his playing that shone bright light on his music’s inner detail. Most of all, though, he really had something to say. »

David Kettle, The Scotsman

Biography

Jonathan Fournel was revealed with brilliance to the top international scene in the spring 2021 as he won the much-coveted International Queen Elisabeth competition Grand Prix-Queen Mathilde Prize at 27. In addition, Jonathan won the Musiq3 Audience prize and the Canvas-Klara prize. «A natural, musical and poetic playing in Mozart’s 18th concerto performed with majestic purity and lyricism as well as Brahms’ Variations and Fugue on a theme by Haendel led with intensity and an unquestionable sense of story-telling. » Marie-Aude Roux writes in Le Monde. A few years earlier, Jonathan had taken First Prizes at the Scottish International Piano Competition in Glasgow and the International Viotti competition in Vercelli, both at the age of 20.

What strikes most in Fournel’s playing besides his stunning technique and extraordinary spectrum of colours is this balanced mix of exquisite refinement and wild instinct, his natural lyricism and the bright clarity of his interpretations shining light on details with a very mature understanding of the work

He is the guest of such venues and festivals as the Concertgebouw Amsterdam, Rheingau Musik Festival, Verbier Festival, Klavier Festival Ruhr, Sommets Musicaux de Gstaad, La Roque d’Anthéron festival, Luxembourg Philharmonie, the Royal Glasgow Concert Hall, Bozar Brussels, Louisiana Museum in Denmark, Kumho Art Hall Seoul, Tongyeong Concert Hall, Sala Saõ Paulo, Warsaw Philhamonie, Edinburgh’s Usher Hall, Sala Verdi Milan or Paris’ Louis Vuitton Foundation.

Jonathan is playing under the baton of conductors such as Stéphane Denève, Jonathon Heyward, Rafael Payare, Peter Oundjian, Hugh Wolff, Fan Tao, Jacques Mercier, Frank Braley, Lawrence Foster with such orchestras as the Royal Scottish National Orchestra, Polish National Radio Symphony Orchestra, Brussels Philharmonic, Belgian National Orchestra, Orchestre National de Lorraine, the Croatian Radio and Television Orchestra, Orchestre Philharmonique de Luxembourg.

Jonathan Fournel was revealed with brilliance to the top international scene in the spring 2021 as he won the much-coveted International Queen Elisabeth competition Grand Prix-Queen Mathilde Prize at 27. In addition, Jonathan won the Musiq3 Audience prize and the Canvas-Klara prize. «A natural, musical and poetic playing in Mozart’s 18th concerto performed with majestic purity and lyricism as well as Brahms’ Variations and Fugue on a theme by Haendel led with intensity and an unquestionable sense of story-telling. » Marie-Aude Roux writes in Le Monde. A few years earlier, Jonathan had taken First Prizes at the Scottish International Piano Competition in Glasgow and the International Viotti competition in Vercelli, both at the age of 20.

What strikes most in Fournel’s playing besides his stunning technique and extraordinary spectrum of colours is this balanced mix of exquisite refinement and wild instinct, his natural lyricism and the bright clarity of his interpretations shining light on details with a very mature understanding of the work

He is the guest of such venues and festivals as the Concertgebouw Amsterdam, Rheingau Musik Festival, Verbier Festival, Klavier Festival Ruhr, Sommets Musicaux de Gstaad, La Roque d’Anthéron festival, Luxembourg Philharmonie, the Royal Glasgow Concert Hall, Bozar Brussels, Louisiana Museum in Denmark, Kumho Art Hall Seoul, Tongyeong Concert Hall, Sala Saõ Paulo, Warsaw Philhamonie, Edinburgh’s Usher Hall, Sala Verdi Milan or Paris’ Louis Vuitton Foundation.

Jonathan is playing under the baton of conductors such as Stéphane Denève, Jonathon Heyward, Rafael Payare, Peter Oundjian, Hugh Wolff, Fan Tao, Jacques Mercier, Frank Braley, Lawrence Foster with such orchestras as the Royal Scottish National Orchestra, Polish National Radio Symphony Orchestra, Brussels Philharmonic, Belgian National Orchestra, Orchestre National de Lorraine, the Croatian Radio and Television Orchestra, Orchestre Philharmonique de Luxembourg.

He started studying the piano at 7 in his hometown of Sarreguemines in the East of France before joining the Strasbourg Conservatoire. At 12, Jonathan was admitted to the Saarbrücken Musikhochschule in Germany in Prof. Robert Leonardy and Jean Micault’s studios. At the same time, he started working with pianist Gisèle Magnan who is still following him as a mentor.

He was then admitted to the Paris Conservatoire National Supérieur de Musique at 16 working with Brigitte Engerer, Bruno Rigutto, Claire Désert and Michel Dalberto and graduating with honors 5 years later. In September 2016, he joined Louis Lortie’s and Avo Kouyoumdjian’s studios at the Chapelle Musicale Reine Elisabeth in Brussels for another 5 years as artist in residence.

Although he has already been recognized for his special taste and talent for music by Mozart, Chopin or Brahms, Fournel already has a wide repertoire and a particular interest for today’s music. Notable highlights include world premieres of French composer Nicolas Bacri’s 3rd piano sonata and several pieces by the young French composer Pierre-Alain Braye-Weppe. He also often included works by Rory Boyle, Guillaume Connesson or Thomas Ades. in his recital programs. Chamber music has also always been an important part of his music-making, performing with such musicians as Gautier Capuçon, Augustin Dumay, Vassilena Serafimova, Victor Julien-Laferrière or the Hermes and Modigliani Quartets.

Jonathan was « Classical Revelation 2017 » of the Paris-based ADAMI and is supported by several sponsors : the Fondation Colas, the Fondation Goéland and the « Allumeurs d’Etoiles ».

Fournel signed to the multi Gramophone prize winning label Alpha. A Brahms album will be released in October 2021.

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Discography

Videos

Chopin Concerto n°2 in F minor

Brussels Philharmonic Orchestra- Stéphane Denève

Mozart Concerto n°19 KV 456

Orchestre Royal de Chambre de Wallonie- Frank Braley

Contact

Romain Blondel

rb@solea-management.com

T. +33 1 48 44 74 70